| Mother of pearl | |
| Teak | |
| Earthen | |
| Shell | |
| Slate | |
| Hide | |
| Aluminium | |
| Bamboo | |
| Ceramic | |
| Olive | |
| Fiberglass | |
| Abaca | |
| Rattan | |
| Walnut | |
| Brass | |
| Bandala | |
| White glass paste | |
| Leather | |
| Nito | |
| Coconut | |
| Stone | |
| Marble | |
| Copper | |
| Termites' nests | |
| Fine rattan | |
| Raffia | |
| Arurog | |
| Mango | |
| Sweet Liana | |
| Linen | |
| Sugar cane | |
| Water hyacinth | |
| Lampakanay | |
| Water Liana | |
| Banana | |

WHITE GLASS PASTE
The discovery of the glass paste is ancient as much as that of glass.
Already 5000 years ago, the Egyptians use it to imitate precious stone and manufactured with it small accessories, pearls, jewels, perfumes’ containers and amulets.
This manufacturing process, similar to that of the melting wax, is extremely laborious and delicate but the objects you can obtain by the melting process of the crystals in a mould, they assume the shapes of grains and a consistency and a softness in its edges, which cannot be achieved with the blown glass.
Colours are much more brilliant and intense, these are the features which makes this material special/peculiar/extra-ordinary.
The discovery of the glass paste is ancient as much as that of glass.
Already 5000 years ago, the Egyptians use it to imitate precious stone and manufactured with it small accessories, pearls, jewels, perfumes’ containers and amulets.
This manufacturing process, similar to that of the melting wax, is extremely laborious and delicate but the objects you can obtain by the melting process of the crystals in a mould, they assume the shapes of grains and a consistency and a softness in its edges, which cannot be achieved with the blown glass.
Colours are much more brilliant and intense, these are the features which makes this material special/peculiar/extra-ordinary.